GODDESS DRESS: FROM EARLY 900's TO LATEST DIOR HAUTE COUTURE COLLECTION

The continually evolving influence of ancient Greco-Roman dress through the ages. Over the past two-and-a-half millennia, the classical mode has unfolded and persisted, finding expression in a variety of artworks and through them, in fashion. Through diverse permutations and transformations, ancient dress has survived and resonated as an ideal. Fashions inspired by the classical ideal can be elegant, romantic or provocative—reminders of Venus, goddess of love, of Diana, goddess of the hunt, or of the martial ancient tribe of women called Amazons. Most are in pale tones of white or beige, or a sparkling gold. From designers such as Paul Poiret and Mariano Fortuny; the emblematic draped creations of Madame Grès; the deconstructed peplos-style gown of Yves Saint Laurent; and the most recent contributions of Gianni Versace, Romeo Gigli, Alexander McQueen, and Tom Ford of Gucci, until the Chanel resort S/S2018 and at the latest haute-couture collection S/S2020 by Christian Dior designed by Mariagrazia Chiuri. Each has made unique imaginative contributions that carry the immortal ideal originating from the goddesses of ancient Greece and Rome to the present and enliven it for the future.

Mariano Fortuny Delphos dress, 1920

Lelong 1935

Madeleine Vionnet F/W1937-38

Madame Gres 1963

Versace, 1995

Givenchy Haute Couture S/S 1997 by Alexander McQueen

Zuhair Murad S/S 2013 Haute Couture Collection

 Marchesa S/S 2013Collection

Schiaparelli F/W2015

Vionnet S/S 2015

Valentino S/S 2016 

Chanel-Grecia Desfilé Resort F/W2017-18

Dolce & Gabbana Haute Couture F/W 2019-20

Christian Dior Haute Couture S/S2020

NEW DESIGNERS: NGUYEN HOANG TU

Nguyen Hoang Tu is a Vietnamese brand.
 Nguyen Hoang Tu speak about his brand and he tell that he grew up with fabric as his mother is a tailor and day by day he fall in love with them. He explain that He always imagine how the fabrics would turn out to be a beautiful dress whenever he touch them. Following fashion to renovate the basic fabric is the decision that he had made. And there’s always nature mixed up in his designs as he's one of those who can not live without nature. Then collections form up with experience. he hope his designs at least would reach to those dreamers and bring them the belief in beauty as real life out there is making us weary.
 S/S 2020 Collection:

 From F/W 2019 Collection:

OLAF BREUNING - We Are All In the Same Boat. The weight of colour

Milano- dal 30 gennaio 2020 al 28 marzo 2020 la Galleria Poggiali presenta , la prima personale in Italia di Olaf Breuning nato in Svizzera ma newyorkese d’adozione, We are All In the Same Boat. The weight of colour, a cura di Lorenzo Bruni.
 Breuning si è fatto conoscere, tra le altre, attraverso le mostre personali in diverse autorevoli istituzioni come il Palais de Tokyo di Parigi, la Chisenhale Gallery di Londra, la Kunsthall di Stavanger, l’Institute of Modern Art di Brisbane e attraverso la partecipazione a biennali quali la Biennale del Whitney New York e la Biennale de l'Image en mouvement a Ginevra.
 Olaf Breuning, per la sua mostra nello spazio milanese della Galleria Poggiali, in Foro Buonaparte 52, ha concepito un ambiente immersivo per riflettere su come gli attuali stimoli della vita quotidiana sono metodicamente registrati, metabolizzati e riproposti dagli “utenti” digitali. Esplicativo di questo approccio è la grande scultura al centro dello spazio che consiste in una scala di metallo, su cui è montata la sagoma in acciaio lucido di un volto stilizzato con al centro un cuore. La struttura bidimensionale diviene volumetrica e inafferrabile per effetto delle immagini che inesorabilmente riflette. Tale dimensione “multidisciplinare” e “multidimensionale” è adottata dall’artista per tutta la mostra fino anche all'installazione di disegni a china nera raffiguranti scene ‘possibili’, ma immaginarie, che suggeriscono un’inedita narrazione intima e corale. Le opere presenti alla mostra We Are All In the Same Boat alla Galleria Poggiali sono di anni e soprattutto media diversi, sia site specific che immagini autonome, poste dall'artista in un nuovo stretto dialogo per far emergere domande ovvie quanto conturbanti: per chi sono i messaggi che produciamo giornalmente nel mondo del web e perché li produciamo? Olaf Breuning risponde mettendo al primo posto la dimensione esperienziale che ha a che fare con l'evento in tutti i suoi aspetti fisici e psicologici.

MES ROUGES

Here I wear Chanel Rouge Allure Ink Fusion #824 Berry

My three lip choices: liquid lipstick, classic lipstick and pencil lipstick

From the most intense by Chanel to the most delicate by Sisley, and the middle choice by Dior

Chanel Rouge Allure Ink Fusion ultra-intense, ultra-matte, longwearing lip colour with a fluid texture that fuses with lips for a lightweight feel and comfortable coverage. 12 shades available. €34

Diorific Haute couture long wearing lipstick, the legendary lip accessory with an Haute Couture finish, holds the signature of Dior glamour in its jewel-like gold case. 8shades, I usually wear #013 Ange Bleu €42

Sisley Phito Lip Twist A concentrated lipcolor Phyto-Lip Twist is tinted like a lipstick, cocooning like a balm, and shiny like a gloss. Soft, comfortable, and non-sticky, it's ultra-glide on texture is applied in a single sweep for a luminous, glossy finish without settling in fine lines. With each application, lips are softer, more hydrated, visibly smoother and plumped. Available in 17 shades, I usually wear the #5 Berry €39.90

PARIS HAUTE COUTURE- MANY OTHER DESIGNERS

Yuima Nakazato

Adeline Ziliox

Tima Abid

Aganovich

Aelis

Rahul Mishra

Xuan

Imane Ayissi

Ziad Nakad

Bouchra Jarrar

Julie De Libran

Stephane Rolland

Julien Fournie

RVDK Ronald Van Der Kemp

Georges Hobeika

Maison Rabih Kayrouz

Antonio Grimaldi

Farhad Re